Written by:

First Draft - Mary Vicich

Second Draft - Mary Vicich

Third Draft Edited - Myles Tomczak

Fourth Draft - Mary Vicich

Producer - Isabel Lopez

Director - Myles Tomczak

Cast:

Stoned Boy ~ Jon Amesquita

Entertainment Girl ~ Katie O Sullivan

Karas Dad ~ Mark Vicich

variety

Fade in:

We open on a black screen. Slowly white letters begin to move to the top of the screen, much in the vein of The Texas Chainsaw Massacre. The voice of someone who would remind you of the old guy who told the scary stories around the campfire reads the words to us.

OLD MAN

Forty years ago...or something like that its not really important. A movie was made and it was so terrifying, so wretched, so scary it had to be sealed. Locked away in an airtight crypt fifty miles beneath the surface of the earth, the movie studio vowed never to release the finished product. This is.... not that movie.

The white letters continue up the screen, along with the bottom of the screen also. Almost like a window shade. The screen continues up to reveal a crewmember face. He looks completely embarrassed. He wasnt expecting this. He pulls the screen back down quickly covering the set.

CUT TO:

CREDIT SEQUENCE

The opening credit sequence will feature cheesy music.

FADE IN:

INT. HOUSE - DUSK

Angela and her friend Kara are sitting in the backyard of Karas house drinking lemonade. Angela looks concerned and turns to Kara.

ANGELA

So, did you and Billy get caught?

KARA

No, my mom didnt catch us. But my dad was so funny about it. He was making jokes, like he wanted to join in.

ANGELA

Are you sure he was joking?

KARA

No, but he usually is, its been ages since he wanted to get it on with my friends.

ANGELA

Its kind of scary out here. Its dark and stuff. Im always so freaked out by this kind of night.

KARA

Dont worry, were safe. Ive got this to protect us.

Kara takes a paper clip box out of her pocket and puts it on the table. She removes a single paper clip and straightens it out to make a long knife shape.

KARA (contd)

There we go, here.

Kara hands Angela a paper clip.

KARA (contd)

Take it, and make your own, we need to protect ourselves.

Angela takes a paper clip and does the same. She looks worried.

ANGELA

Thanks a lot, I was getting scared. I feel better now.

WE SEE THE GIRLS FROM SOMEONE ELSES POINT OF VIEW

The girls are being watched from behind the garage by someone. A hand reaches into frame, it has a glove on, it pushes a branch out of the way to get a better look at the girls. As the hand pushes the branch it snaps back and smack the camera in the face. We hear a grunt as the figure steps back, the girls can no longer be seen.

WIDE SHOT OF THE TWO GIRLS

Angela turns to Kara and makes a worried face. She holds her clip in front of her for protection.

ANGELA

Did you hear that? I think I heard something.

Kara looks into the area where the figure is standing.

KARA

Hey, you.

We see through the figures eyes again, he ducks away to avoid being seen.

KARA

Yeah you, what the hell are you doing over there?

The killer turns and WE SEE THROUGH HIS EYES as he runs back further behind the garage.

KARA

Ill take care of this.

ANGELA

What? He could be a crazy person?!

KARA

Ive got protection Angela. Get me my diaphragm.

Angela reaches into Karas purse and hands it to her, but we cant really see it.

KARA

Ill be right back.

She holds the paper clip out in front of her and puts the diaphragm in her back pocket.

Kara hurries behind the garage.

KARA

Come out here!

The figure climbs over the fence and starts to run away. Kara screams and leaps over the fence after him. He is making his way down the street, we get a full view of him. He is dressed in all black. Kara looks angry.

KARA

Next time just ask, youll find Im very skanky.

Kara turns and walks to the backyard defeated. Angela is still sitting looking worried.

KARA

Hes gone.

ANGELA

What happened? Did you get any?

KARA (sad)

Nothing. I swear, getting some in this town is a job of work.

She tosses her diaphragm onto the table and sits down on the chair with a sigh.

ANGELA

Youll get some later. Dont worry.

CUT TO:

INT. ABBYS HOUSE - LATER THAT NIGHT

ZOOM IN ON A GIRLS FACE

We dont know who she is, all we know is she is running and she is scared. Her eyes glance around worriedly as she continues to run. We can only see her face nothing else.

THE CAMERA PANS AROUND TO VIEW THE GIRL IS BEING CHASED BY A KILLER.

We now realize that she is running from him, and yet never seems to get any further away. He walks slowly towards her. She looks behind her and lets out a tiny yelp, and runs faster. After going back and forth between the killer and the girl we slowly zoom out when he is right behind her we can see the girl is running on her living room tread-mill trying to escape the killer. The killer grabs her by the shoulders and throws her off against the wall.

GIRL

No.

The killer stands in over her.

FADE OUT:

INT. ABBYS HOUSE - A FEW HOURS LATER

Abbys mother walks into the same room where her daughter was killed in. She has a bag of food in her arms.

ABBYS MOTHER

Abby darling? Are you here?

She walks a few steps and finds Abby lying dead on the floor.

ABBYS MOTHER

Abby!? Oh my god. The courts will have a field day on this. Well, nobodys going to find out. Thats for sure.

Abbys mother begins to gather up the body.

INT. PIZZA PLACE - DAY

A few friends are sitting in booth eating pizza. Angela and Kara from the night before along with their friends, Christine who looks like a party girl, Jamie who looks more down to earth and has tons of napkins by her.

ANGELA

So did you guys hear what happened to me and Kara last night?

CHRISTINE

Nope. What happened?

ANGELA

We got attacked...buy some weird dude.

CHRISTINE (to Kara)

Get any?

Kara turns away like she is offended.

CHRISTINE

What now? What did I do?

Angela

Unfortunately he got away.

Angela looks at Kara and continues in a low whisper.

ANGELA (contd)

She was really disappointed.

CHRISTINE

(with sympathy)

Oh...

JAMIE

Hey did you guys hear about that Abby chick?

KARA

What about her?

Kara takes a sip of her drink, shes interested.

JAMIE

I dunno...I just felt lonely so i just started talking about anything to myself...you know like everyone does.

CHRISTINE, ANGELA, AND KARA (unison)

Huh?

JAMIE

Never mind. Hey have you guys met my friend Linda?

KARA

Ive you talk about her. She sounds...interesting.

JAMIE

Yeah she is, and she has an annoying...well you guys will find out soon enough. Shes hanging out with us later.

ANGELA

Why?

JAMIE

Because... alright?!

KARA

Whatever, Ill talk to you guys later. Ive gotta have a threesome with billy and my dad.

ANGELA

I thought you said he was joking?

KARA

Yeah, I thought he was.

Kara laughs to herself.

KARA (contd)

Go figure.

Kara stands up and we see a man standing a few feet away, he is most likely Karas dad.

The man puts his arm around Kara.

MAN

Ready honey?

Kara tosses a napkin onto the table and waves goodbye to her friends. She walks out the door with her father.

CHRISTINE
Wed better get going ourselves.

They all begin to gather their things and get up from the booth. Jamie reaches into her purse and pulls out a small spray bottle and a toothbrush. She begins to scrub a small stain on the talbe. They start to walk when they realize Jamie isnt with them.

The group turns.

CHRISTINE

Ummm, Jamie, thats what the busboys are for.

JAMIE (growling)

SCREW THE BUS BOYS!

Jamie stares at the table lovingly and begins to scrub faster and faster.

JAMIE

Clean, always clean. Clean washes all bad away. Clean, clean, clean, clean...

Christine and Angela each grab Jamie from one side and begin to drag her away from the table. She pulls and eventually they make it away from the table and head out the door.

CUT TO:

EXT. ABBYS HOUSE - DAY

The four friends are standing outside of Abbys house.

JAMIE

What are we even doing here?

ANGELA

Were going to invite Abby to the party.

JAMIE

Why?

ANGELA

So there can be one more victim.

JAMIE (worried)

What?!

ANGELA

So the party can be more fun.

JAMIE

Oh.

Jamie smiles and rings the doorbell.

Abbys mother opens the door. She looks like she hasnt slept in days. She is wearing an eerie grin and her eyes are wide open.

JAMIE

Hello, is Abby home?

ABBYS MOTHER

Abby is alive! Living because thats what alive people do...they live. You betcha!

The three friends exchange glances at each other.

ANGELA

Well can she come out? Were sort of having this party...

CHRISTINE

Study group.

Christine slaps Angelas arm.

ABBYS MOTHER

Sure she can. Ill go get her. Because she is alive, and live girls love studying.

Abbys mother leaves the doorway and after a few seconds returns. She is doing her best to hold up the dead body of Abby. Abby is obviously dead.

Abbys mother moves Abbys mouth with her words. Its painfully obvious that shes trying to pass Abby off as alive.

ABBYS MOTHER (her best Abbys voice)

Hi guys, its me Abby, alive and well.

Abbys mother still hasnt blinked since she opened the door and the four friends start to back away.

ABBYS MOTHER (contd)

Wait, no! Take Abb-- Me with you to the party.

Jamie steps up and takes the body.

JAMIE

Come on Abby, itll be fun.

ABBYS MOTHER (under her breath)

No lawsuits for me.

JAMIE

What was that?!

Jamie turns concerned?

ABBYS MOTHER

I said No blue suits at work for me.

JAMIE

Oh, that makes sense.

The girls drag Abbys body away with them.

CUT TO:

INT. JAMIES HOUSE - DAY

The four girls are dancing at Jamies house, there is a stereo playing in the background some old Irish folk dance. Abby sits in a chair next to the food table propped up. She has a can of soda in her hand and stares blankly at the wall. The friends all laugh at something theyve said, probably a joke.

WE ZOOM IN ON ABBY AND SHE TURNS TO FACE THE CAMERA

ABBY

Look at them!

Abby points in the direction of her friends.

ABBY (contd)

Not one of them noticed that Im DEAD! What do you think about that huh? Yknow all I want is just a little recognition! But no, thats just a little too much for them to grant me.

CUT TO:

EXT. JAMIES HOUSE - NIGHT

WE SEE DIRECTLY OUTSIDE JAMIES KITCHEN WINDOW

Soon a dark figure comes into the view of the camera. In movies like this, its usually the killer. Were not sure who exactly this guy is, but hes obviously spying on the girls. We cant see what the girls are doing.

PEEPING TOM

Oh yeah baby! Work it, Yeah. Thats how daddy likes it. You take that, do it bitch yeah! Ohhhhhhh.

WE HEAR VOICES OF THE GIRLS IN THE HOUSE MOANING THE VOICES ARE MUFFLED AS IF THE GIRLS HAVE FOOD IN THEIR MOUTHS.

VOICES (O.S.)

Oh, thats so good. Give me more.

Mmmm, thats just great. Just a little more.

A girl groans, and another screams.

The peeping tom outside continues to watch the girls, and talking his dirty talk, when out of nowhere another shadowy figure steps into view. The girls are still not seen.

KILLER

Hey, what are you doing?

PEEPING TOM
Yeah, yeah, wait your turn; just give me a few minutes.

KILLER

Its my job to watch the girls.

The killer motions to the window with his knife.

PEEPING TOM

I said, wait your damn turn!

The peeping tom turns his attention back to the window and the girls.

PEEPING TOM (contd)

Ooooh, man daddy likes that a lot.

The killer stands for a few seconds before becoming bored. He begins to stabs the peeping tom who howls in pain.

The peeping tom suddenly begins to hop around the backyard making numerous hooting and howling sounds. The killer stands confused before the peeping tom finally falls down dead.

KILLER
Moron.

The killer turns and stands where the peeping tom was originally seen.

THE CAMERA SWIRLS AROUND TO VIEW THE INSIDE OF THE HOUSE. WE GET TO SEE WHAT THE PEEPING TOM WAS GAWKING AT.

The girls are stuffing themselves with chips and soda. They are being pigs, eating like there is not more food left in the whole wide world. Soda and chips pours down their chins and all over their clothes, and still they continue.

KILLER (O.S.)

Oh yeah! You like that dont you? Thats it, thats it!

One of the girls inside burps and the other farts.

KILLER
Ohhhhhh.

The killer continues to groan.

CUT TO:

INT. JAMIES HOUSE - NIGHT

The girls are sitting at the table, but now they are completely clean, and void of food all over them.

JAMIE

Im bored, what can we do?

KARA

Lets dance!

CHRISTINE

Im tired of dancing; cant we do something else?

KARA

Not me, I can dance all night.

THE CAMERA TILTS BACK TO REVEAL THAT SHES POLE DANCING.

JAMIE (jokingly)

I think weve all seen your stuff too much Kara, no offense.

Kara slides down the pole and hits the floor with a soft thud.

KARA (hurt)

Some taken.

A girl walks in,

Girl

Im your entertainment.

The other girls exchange looks and nod eagerly. They are curious.

JAMIE

Sure, just as long as you dont make a mess.

The girl stands were all can see

ANGELA

Yay!

Kara sets up Abby so shes facing the entertainment girl and grabs Abbys soda from her hand. Jamie is helping Angela set up the karaoke machine.

KARA

Thirsty Abby?

Kara pours soda all over Abbys mouth, it drips down her face and her stomach.

JAMIE

Dont forget to use a coaster.

KARA

Way ahead of you.

Kara leans down and puts a coaster under Abbys seat.

ENTERTAINMENT GIRL

You guys Im ready

Jamie and Kara sit down.

ENTERTAINMENT GIRL

This song is from the Buffy the Vampire Slayer: The Musical The song is titled Lifes a Show.

the entertainment girl pushes play on the CD player and the song begins. she starts to sing really nicely and in tune with Buffy. As the song reaches the segment...We open up our hearts. she takes her jacket off. As she does rolls of fat come out of nowhere and she starts to sing in a really horrible scratchy voice.

The girls try to escape as the entertainment girl, continues to sing the song. They claw at the back door with is mysteriously locked now.

Dead Abby moans and covers her ears, but she doesnt get up from her seat.

Kara rolls on the ground screaming for mercy.

Jamie bangs her head against the window. But after she is done she pulls out a Windex bottle and sprays some of the contents on the window. She starts scrubbing.

Christine pounds on the door and finally unplugs the player.

ENTERTAINMENT GIRL

Hey, I was just getting warmed up.

Her rolls are mysteriously missing, and her jacket is back on. The voice is now gone.

KARA

Yeah, Im sure you were.

Kara brushes herself off. She reaches into the bowl of chips and sees that theyre all gone.

KARA

Hey! All the chips are gone.

CHEESY DRAMATIC MUSIC PLAYS

JAMIE

Here, open this bag.

CHEESY HAPPY MUSIC PLAYS

All of the girls perk up now, they are confused.

CHRISTINE

Did you guys hear that?

CHEESY DRAMATIC MUSIC REPEATS

ANGELA

Heard what? I cant hear a thing. Well, ummmm? No, cant hear a thing.

CHEESY SITCOM AUDIENCE MUSIC PLAYS

CHRISTINE

That music is laughing.

JAMIE

Yeah, I hear it now.

CHEESY DRAMATIC MUSIC REPEATS AGAIN

The girls are now worried. They begin to search for the source of the music. Jamie searches under the rug, Christine searches. Most of the action is improvised.

Kara looks over and sees a kid sitting on the floor with a music player.

KARA

What are you doing?!

The kid simply stands up and walks out of the room.

ANGELA

Oh, thats the music kid.

All the girls exchange nods, they all seem to understand.

A doorbell sounds through the house.

Jamie jumps to her feet.

JAMIE

That must be Linda.

Jamie leaves the room quickly.

Within a few seconds Jamie returns with Linda. She has her hair pulled back in a ponytail, and shes standing behind Jamie.

JAMIE

You guys, Id like you to meet Linda.

Jamie steps aside to give Linda full view, this girls is totally shy.

CHRISTINE (whispers to Angela)

I heard this girl is extremely annoying.

ANGELA (shouts loudly)

WE CAN MAKE AN EXCUSE TO GET RID OF LINDA LATER!!!

KARA

So when did you guys hook up?

Jamie slaps Kara lightly on the arm.

JAMIE

Were not a couple.

Suddenly Jamie turns to Linda and sees Linda standing in a sexy pose; she resembles a playboy girl, only with clothes on.

THE CAMERA HAS A WEIRD DREAMY TINT.

Jamie growls. This is a hope kind of thing.

JAMIE

Were just friends. We met at....

Jamie glances nervously at a poster on the wall.

THE CAMERA ZOOMS IN QUICKLY TO REVEAL.

A poster with a ton of retarded kids on it. Linda and Jamie are on the very front holding medals. They are dressed like the other kids.

In big bold letter the poster reads SPECIAL LITTLE CAMPERS.

JAMIE

We met at camp.

Angela looks at the poster.

JAMIE (contd)

I was a counselor there.

CHRISTINE

I think it should be called CAMP, NEVER GET ANY.

All the girls laugh hysterically except for Linda; she merely cracks a smile.

ANGELA

Today was actually really sad for me, my hamster Jerky died.

Angela looks down and blows her nose loudly into a napkin.

Linda suddenly laughs a really annoying laugh that lasts quite a long time.

Angela backs away from Linda a bit.

JAMIE

Hey, Im going to use the can.

She moves in the direction of the bathroom.

Linda moves toward Christine, Angela, and Kara.

KARA

Yeah, so Billy was so kinky this afternoon with me.

ANGELA

Yeah Im sure you didnt mind it at all.

All the girls laugh.

Christine nudges Angela in the arm.

KARA

Anyways, his tongue went down my...

LINDA (interrupting)

Hey hey! I got this in camp because I was a good girl and drinked all my juice without spitting at people.

Linda shows a huge blue smiley face necklace around her neck.

CHRISTINE

Uh huh, thats nice.

LINDA

And I can take a poo by myself now.

Linda laughs.

KARA (annoyed)

Thanks for sharing.

ANGELA

Hey Linda why dont you go to the store, because we need some um...uh...

KARA

Condoms!!

Christine nods.

LINDA

Well, I dont know... my mom....

The girls begin to push her to the door.

KARA

Itll really help us out of a jam.

CHRISTINE

Itll save us a ton of time.

KARA

The store is just a block away, take a left when you get outside.

LINDA

But...

The girls shove her out the door and slam it shut.

Linda turns and then hears the lock slip into place.

LINDA

I dont have any money.

The door flies open and some bills are thrown at her face.

CUT TO:

INT. BATHROOM - NIGHT

We see Jamie back a face like she was constipated than we see her trying to open a jar of peanut butter.

CUT TO:

INT. BASEMENT - NIGHT

Jamie comes out of the bathroom and walks over to the girls.

JAMIE

Thank god for Pepto-Bismol. Wheres Linda?

CHRISTINE

She had to go.

Jamie shrugs it off and looks at Abby.

JAMIE

How, Abby must be super tired.

ANGELA

Shes not sleeping, shes just pacing herself.

Suddenly a knock is heard offscreen.

JAMIE

Who could that be?

Jamie rushes up the stairs and opens the door.

INT. JAMIES HALLWAY - NIGHT

Jamie is greeted at the door by a tall girl wearing pigtails. Angela rushes up behind Jamie.

ANGELA

Can we help you?

GIRL (rudely, she sounds like a ghetto girl)

Yeah, Im a girl scout. And your ma ordered some cookies.

ANGELA

You dont look very much like a girl scout?

GIRL

Well I am. Give me my money for the cookies.

ANGELA

Where are the cookies?

GIRL

Ill mail em to ya. Scouts honor.

She flips Angela the bird.

JAMIE

I dont know.

ANGELA

She does know the scouts honor symbol. I used to be a girl scout.

Angela hands the girl some money.

ANGELA

There you go.

GIRL

Pleasure doin business w you. You got any food in there?

The girl nosily tries to see inside.

Angela slams the door as if the girl wasnt even there.

The girls return downstairs.

CUT TO:

EXT. STREET - NIGHT

Linda walks down the street.

THE CAMERA PANS AROUND TO VIEW THE STORE SHE IS SUPPOSED TO GO TO IN THE OPPOSITE DIRECTION.

LINDA (muttering loudly)

You know. Im getting sick and tired of putting that whole slow girl act on for them. I know they find it amusing, but I think enough is enough. Im not their butt monkey for crying out loud.

CUT TO:

INT. BASEMENT - NIGHT

Kara is sitting next to Abby having a meaning conversation with her. Jamie and Angela are dancing. Christine is flipping through Jamies CD collection.

KARA

Hey Jamie. Do you have any soda left?

Jamie leaves the room quickly, Kara watches her from the floor.

After a few short seconds Jamie returns holding a Pepsi.

JAMIE

Here, have a Pepsi!

Jamie poses with the Pepsi as though she were doing a commercial.

JAMIE (contd)

The cool refreshing drink that quenches your thirst and never lets you down.

Jamie hands Kara the Pepsi.

Kara takes a sip and turns to the camera.

KARA

Mmmm, tasty!

Out of nowhere a well-dressed woman walks into view of the camera. She looks a lot like Abbys mother.

WOMAN

Im the international spoke person for Pepsi. And Im sorry, but we did not give you inbreeds the permission to use our name and logo in this film. We are going to sue the pants off you!

ANGELA

Thats okay. Im not wearing pants.

Angela winks to the camera.

ANGELA (contd)

Im wearing leg protectors.

Christine shakes her head sadly.

CHRISTINE

Hey, you look like Abbys mother.

WOMAN

I have to have some kind of job. I cant support myself and pay for all these legalities. Having a dead daughter is hard.

JAMIE

What!?

WOMAN

Having a dead daughter is hard.

JAMIE

Oh.

Jamie smiles and nods.

The killer walks through the door and begins to stab Abbys mother.

JAMIE

By the way, you could not sue us. We didnt even finish shooting the movie yet.

Abbys mother falls to the floor and the killer still stabs her.

Abbys mother dies a horrible death.

JAMIE

Hey, listen to me when Im talking to you! Dont you dare die, because this is far from finished my friend. I will take you down!

Jamie notices the blood on the floor.

JAMIE

Oh no, not in my house!

Jamie pushes the body aside and pulls a sponge out of her pocket. Jamie begins to scrub the floor.

Angela walks over to the killer.

ANGELA

You must be the pizza guy. How much do I owe you?

The killer stares at her in disbelief.

KILLER

Thatll be twenty.

The Killer holds out his hand.

Angela hands him some money and he puts it in his pocket, and pushes her aside. Too easy.

ANGELA

Hey, wheres the pizza?

KILLER

Uh, its coming in the mail.

ANGELA

Everything comes in the mail these days.

The killer turns to leave when he notices that Abby is propped up in the chair with soda stained on her.

KILLER (to Abby)

Aren't you dead?

Abby hops to her feet and hugs the killer.

ABBY

Thank you, thank you for noticing I love you. My god thank you!

Abby then keels over dead with a smile on her face.

The girls look around confused.

A girl walks into the room from the stairs.

GIRL

Hey guys, sorry Im late.

KARA

Shelly, you made it.

The killer immediately grabs Shelly by the hair and starts to stab her. Shelly screams in pain, but the other girls dont seem to notice.

CUT TO:

EXT. STREET - NIGHT

Linda continues to walk down the street. She totally lost. Behind her a car drives up and stops. A hick woman is behind the wheel. She has long blonde hair and a cowboy hat. She speaks with a country accent.

WOMAN IN CAR

You wanna ride darlin?

Linda looks around.

LINDA

Me? Um... Okay. Can you take me to the store?

WOMAN IN CAR

Okay, hop on in little lady.

Linda opens up the door and slides into the front seat.

LINDA

Thanks for the ride. I must have taken a wrong turn back there.

WOMAN IN CAR

Hell, aint no skin off my tits.

The woman looks down at her breasts.

WOMAN IN CAR (contd)

Oh wait, it is.

The woman grabs the skin and shoves it in Lindas face.

WOMAN IN CAR (contd)

You want this?

LINDA (disgusted)

No!

WOMAN IN CAR

Alright.

WOMAN IN CAR (contd)

Well, let me tell you my life story. It all started down in Seattle.

CUT TO:

INT. BASEMENT - NIGHT

The killer is still stabbing Shelly even though shes long dead.

JAMIE

You guys. I think someone, or something has been murdering our friends one by one.

CHEESY DRAMATIC BANG SOUNDS PLAY

THE CAMERA TURNS TO FACE EACH OF THE GIRLS IN A CLOSE-UP OF THEIR FACES. EACH GIRL TURNS TO THE RIGHT WITH THE CAMERA TO FACE THE NEXT GIRL. FIRST JAMIE, THEN CHRISTINE, THEN ABBY, THEN ANGELA WHOS CONFUSED AND DRINK OUT OF A JUICE BOX, THEN KARA, THEN THE KILLER.

The killer turns to the right like the girls were and stares right at the blood stained knife. He then quickly hides it behind his back.

CHRISTINE

You guys run!

JAMIE

Brilliant, we should split up.

CHRISTINE

No no, thats a very bad idea.

KARA

No, I think its good.

Kara runs out of the room, everyone runs in separate directions except for Angela and the killer. Angela tries to drag Abby along with her.

ANGELA

Cmon Abby, you have to wake up and run, your life depends on it.

The killer shakes his head ashamed at the stupidity, and leaves to find the others.

CUT TO:

INT. JAMIES BEDROOM - NIGHT

Kara runs into the room followed only seconds by the killer. Kara hides behind the bed and begins panting really loud, much like the heroins from all the eighties horror movies that cant keep silent when theyre being hunted down.

Oddly enough, the killer doesnt seem to know where she is. He hears her, but doesnt see her. He looks under the bed.

CUT TO:

INT. JAMIES FRONTROOM - NIGHT

For some reason Jamie is dusting the furniture and lights instead of running. We see the killer standing waiting for her to pass, but he misses his window and stands still, like a statue.

Jamie dusts right over him and doesnt notice a thing. She continues on, and the killer lets out a sigh of relief.

Jamie freezes quickly. She notices something not right.

JAMIE

Wait a minute!?

She turns looks at the killer statue. She adjusts the hand with the knife so it faces upward.

JAMIE

There we go.

Jamie continues dusting and the killer sighs again.

Like before, Jamie freezes, and backs up to face the killer.

Jamie adjusts the other hand a little to the left and stands back to admire her work.

JAME

Thats better.

Jamie continues dusting before again noticing something isnt right.

Jamie backs up to face the killer again.

JAMIE

Aren't you upstairs right now stalking Christine?

KILLER

Why are you dusting, you should be running?

They both shrug and Jamie continues to dust. The Killer pulls a mirror out of nowhere and looks at his clean self. He now resembles a teenage girl with much make-up on.

CUT TO:

INT. BATHROOM - NIGHT

Angela drags Abbys body into the bathroom and puts her in the bathtub.

ANGELA

Now you stay there and dont you die.

CUT TO:

INT. BASEMENT - NIGHT

Kara and the killer are lying down on the futon, they are both under the covers and out of breath. Theyve just had sex.

KARA

Man, you are better than my dad and Billy combined.

KILLER

Thanks.

KARA

I cant wait to bring you home to meet my parents.

The killer quickly begins to look for his clothes.

CUT TO:

INT. CAR - NIGHT

The Woman and Linda are still driving down the road. It looks painfully fake, how the car moves. The car is filled with smoke from all of the cigarettes the woman has smoked. She has another one in her hand.

WOMAN IN CAR

And thats when he left me at the prom. But when youve got three kids to take care of, it doesnt seem that important, but I tell you. After that, I never went to my senior prom.

Linda is silently bashing her head on the window.

WOMAN IN CAR

Gotta have a ciggy.

The Woman continues her story with another cigarette in her mouth.

WOMAN IN CAR (contd)

I couldnt believe he just left me for Trudy LaRouge. Because Im am one hot chick bitch, and hed back damn lucky to have me.

The Woman laughs a hick laugh.

LINDA

Mind crackin a window?

WOMAN IN CAR

Go ahead youngin.

Linda begins to roll down her window.

WOMAN IN CAR

You sure you dont want this?

She motions the breast from before to Linda again. The Woman takes another bite.

WOMAN IN CAR (contd)

Itll change your life.

LINDA

No thanks.

WOMAN IN CAR

Alright.

WOMAN IN CAR (contd)

So then I was seventeen, without a house, and I had three children, and thats when the secret service contacted me.

CUT TO:

INT. HALLWAY - NIGHT

The killer is chasing Christine down the hall and accidentally bumps into Kara. Music begins to play, we see a band performing, and they begin to dance with each other.

Christine rushes up and drags Kara away quickly.

The killer dances for a few moments before noticing that they are gone.

KILLER

Damn!

The killer runs off.

CUT TO:

INT. LIVING ROOM - NIGHT

The killer chases Christine into the living room where we see a boy stoned staring blankly at the tv. The killer tries to get past Christine to kill the stoner. But Christine keeps running in front of the killer back away from him screaming he tries to step aside her but she doesnt let him. this happens for about a few minutes.

CUT TO:

INT. KITCHEN - NIGHT

Jamie runs into the kitchen past the counter.

THE CAMERA TILTS DOWN TO REVEAL MANY KNIVES SITTING OUT ON THE COUNTER.

Jamie rushes back to the counter and picks up a knife. We believe that shell use it for protection, but instead, she polishes it and puts it away. And does this will all seven knives before running away just as the killer enters the room.

The killer chases Jamie through the living room and down the stairs into the basement.

INT. BASEMENT - NIGHT

Kara and Angela are having a meaningful heart to heart.

KARA

He just doesnt understand my feelings; I'm a woman and need to be loved. I really thought that this guy would be the one.

ANGELA

I know honey, but couldnt you have picked a guy that wasnt butchering your friends?

Jamie rushes past into the bathroom.

The killer stops and stares at the conversation going on. He sits down and pulls popcorn out of nowhere. He begins to enjoy the show. Christine turns all of a sudden and pulls out a pair of handcuffs. Christine quickly cuffs the killer to the pole. The killer is now in tears from watching them.

KILLER

Its just so sad. Why cant Joey be with Dawson?

The Killer continues crying.

KARA

What?

The killer notices that he is handcuffed.

KILLER

What is the meaning of this?

CHRISTINE

Ha ha.

Christine moves closer to the killer as Kara runs for her life. She puts her hand on the killers shoulder.

CHRISTINE

I need to get things off my chest...

The killer groans.

CHRISTINE

Well, it all started when I was seven.

CUT TO:

INT. CAR - NIGHT

The Woman and Linda are still driving.

WOMAN IN CAR

It wasnt easy, marrying for the fourth time. But what the hell. You only live once right?

LINDA

Right.

WOMAN IN CAR

You know, if you cant get laid the way I did, theres no way.

Linda and the Woman share a laugh.

WOMAN IN CAR

Are you sure you dont want this?

The Woman takes another bite of the breast and then holds it out to Linda.

Linda rolls her eyes.

LINDA

Fine.

Lindas being polite.

WOMAN IN CAR (contd)

I mean hell. With all the kids I had theyd begun to call me loose as a doorstop Peggy. And by then I was enjoying it.

As the woman talks Linda slowly reaches her hand over and drops the piece of the breast out of the window. Linda tries to look inconspicuous.

WOMAN IN CAR (contd as Linda drops breast)

My husband George, not George C., George Elmers, he was the one who really did love me. I could always tell it, and when he held me close, it was great. Besides, the sex was fantastic.

The Woman takes another bite of the breast and then looks at Linda. She